By the Conejos River

The water, high for autumn, car­ries thought
down­stream past grassy banks and fallen trees,
through weirs of river stones and branches, caught
like rough objec­tions to a fluid ease.

It’s not pel­lu­cid, nor the mind’s ideal—
or is it? Obsta­cles can make us wise;
per­fec­tion may be gauged by how you feel,
as beauty’s proven in behold­ers’ eyes.

I step into the river, run­ning swift
and frothy, swirling, mag­ni­fied by light;
it’s buoy­ant, though, pro­vid­ing flow and lift,
resis­tance fur­nish­ing the greater height.

And now I think my heart’s con­trary moods—
each eddy­ing pool, dark cur­rent, head­strong act—
aren’t merely detours and vicis­si­tudes,
but pur­chase for a leap­ing, mus­cled pact.

 

 

 



About the Author


Catharine Sav­age Bros­man, who now lives in Hous­ton, is Pro­fes­sor Emerita of French at Tulane Uni­ver­sity and Hon­orary Research Pro­fes­sor at the Uni­ver­sity of Sheffield (Eng­land). She cur­rently serves as poetry edi­tor for Chron­i­cles: A Mag­a­zine of Amer­i­can Cul­ture. Her most recent col­lec­tion of verse is Range of Light (LSU Press, 2007). Her new col­lec­tion, Break­wa­ter, will appear in 2009 at Mer­cer Uni­ver­sity Press, and another new vol­ume, Under the Per­gola, will be pub­lished by LSU Press in 2011. Her poems have appeared in the Sewa­nee Review, the South­ern Review, Crit­i­cal Quar­terly, the South Car­olina Review, the South­west Review, Louisiana Lit­er­a­ture, New Eng­land Review, and many other mag­a­zines. French trans­la­tions of her poems have been pub­lished in the Nou­velle Revue Française, Europe, and other French magazines.

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