Dream: Milosz

Milosz lies on his death bed,
but, on the other side,
awake in a grey room

where there’s no night or day—
a Swedenborgian
self-sentenced heaven-hell.

I stand nearby the window.
He says: “I’ve always known
I am the greatest poet.”

I answer: “I feel the same
about my humble self.
And what about God?”

With stern hawkish eyes,
he looks at me and says:
“Electricity!”





avatar
Leo Yankevich’s latest books are The Last Silesian (The Mandrake Press, 2005) Tikkun Olam & Other Poems (Second Expanded Edition), (Counter-Currents Publishing, 2012), Journey Late at Night: Poems & Translations (Counter-Currents Publishing, 2013) & The Hypocrisies of Heaven: Poems New & Old (Counter-Currents Publishing, 2016). His poems have appeared in Amelia, American Jones Building & Maintenance, Artword Quarterly, Beauty for Ashes Poetry Review, Blue Unicorn, Candelabrum, Cedar Hill Review, Chronicles: A Magazine of American Culture, CounterPunch, Disquieting Muses, Edge City Review, Electric Acorn, Envoi, FutureCycle Poetry, Harpstrings, Iambs & Trochees, Iota, Ironwood, Kimera, Lite: Baltimore's Literary Newspaper, Lucid Rhythms, Mr. Cogito, New Hope International, Nostoc, Parnassus Literary Journal, Pennine Platform, The Pittsburgh Post-Gazette, Poetry Nottingham, Psychopoetica, Raintown Review, Riverrun, Romantics Quarterly, Ship of Fools, Snakeskin, Sonnet Scroll, Staple, Sulphur River Literary Review, Tennessee Quarterly, The Barefoot Muse, The East River Review, The Eclectic Muse, The Innisfree Poetry Journal, The London Magazine, The MacGuffin, The Monongahela Review, The Neovictorian/Cochlea, thehypertexts.com, The Pennsylvania Review, The Sarmatian Review, The Tennessee Review, Tucumcari Literary Review, Trinacria, Visions International, Weyfarers, Whelks Walk Review, Windsor Review, inter alia. He is editor of The New Formalist. More of his work can be found at Leo Yankevich.com.