Bakelite

“As Baekeland got older he became more eccentric, getting into fierce battles with his son and presumptive heir over salary and other issues. He sold the General Bakelite Company to Union Carbide in 1939 and, at his son’s prompting, he retired. He became a recluse, eating all of his meals from cans and becoming obsessed with developing an immense tropical garden on his winter estate in Coconut Grove, Florida.”

—https://en.wikipedia.org/wiki/Leo_Baekeland

Armoires collect fine dust
as wood cracks, hinges rust,
but bakelite endures
in handles on warped drawers.

Like burnished tangerine,
fine stone turquoise green
it houses oldie static,
art deco in the attic.

The brown switch, the black phone,
bracelet beads shaped like cone
come from your mortal hand,
Leo Baekeland.

We come now to ask pardon
with flowers from your garden.
Eternity is sweet
and salty as the meat

you ate before your muse,
a sad unkempt recluse.
Forsaken son of man,
enjoy your Campbell’s can.





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Leo Yankevich’s latest books are The Last Silesian (The Mandrake Press, 2005) Tikkun Olam & Other Poems (Second Expanded Edition), (Counter-Currents Publishing, 2012), Journey Late at Night: Poems & Translations (Counter-Currents Publishing, 2013) & The Hypocrisies of Heaven: Poems New & Old (Counter-Currents Publishing, 2016). His poems have appeared in Amelia, American Jones Building & Maintenance, Artword Quarterly, Beauty for Ashes Poetry Review, Blue Unicorn, Candelabrum, Cedar Hill Review, Chronicles: A Magazine of American Culture, CounterPunch, Disquieting Muses, Edge City Review, Electric Acorn, Envoi, FutureCycle Poetry, Harpstrings, Iambs & Trochees, Iota, Ironwood, Kimera, Lite: Baltimore's Literary Newspaper, Lucid Rhythms, Mr. Cogito, New Hope International, Nostoc, Parnassus Literary Journal, Pennine Platform, The Pittsburgh Post-Gazette, Poetry Nottingham, Psychopoetica, Raintown Review, Riverrun, Romantics Quarterly, Ship of Fools, Snakeskin, Sonnet Scroll, Staple, Sulphur River Literary Review, Tennessee Quarterly, The Barefoot Muse, The East River Review, The Eclectic Muse, The Innisfree Poetry Journal, The London Magazine, The MacGuffin, The Monongahela Review, The Neovictorian/Cochlea, thehypertexts.com, The Pennsylvania Review, The Sarmatian Review, The Tennessee Review, Tucumcari Literary Review, Trinacria, Visions International, Weyfarers, Whelks Walk Review, Windsor Review, inter alia. He is editor of The New Formalist. More of his work can be found at Leo Yankevich.com.